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		<title><![CDATA[AutoCrit Writing Center: Writing Advice - Articles - Conflict]]></title>
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		<description><![CDATA[writing advice, writing tips]]></description>
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			<title><![CDATA[Conflict]]></title>
			<link>https://www.autocrit.com/websitepublisher/articles/138/1/Conflict/Page1.html</link>
			<description><![CDATA[Conflict is very important in a romance novel -- and really in any kind of a novel at <br/>all. What would the story of Romeo and Juliet be without the family feud? How <br/>good would Gone with the Wind have been if Scarlett realized from day one that <br/>Ashley wasn't the man for her, and that Rhett was her true love? And even in Toy <br/>Story, if Buzz hadn't shown up, and threatened to take Woody's place.... Well, you <br/>get the idea. Ah, the interest conflict brings to a story!]]></description>
			<author>no@spam.com (Charlotte Dillon)</author>
			<pubDate><![CDATA[Fri, 20 Feb 2009 18:00:00 CST]]></pubDate>
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			<title><![CDATA[Conflict Test]]></title>
			<link>https://www.autocrit.com/websitepublisher/articles/97/1/Conflict-Test/Page1.html</link>
			<description><![CDATA[A quiz to help you evaluate the conflict in your novel.]]></description>
			<author>no@spam.com (Kathleen O&#039;Reilly)</author>
			<pubDate><![CDATA[Wed, 18 Feb 2009 12:30:00 CST]]></pubDate>
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			<title><![CDATA[For People Who Hate External Conflict]]></title>
			<link>https://www.autocrit.com/websitepublisher/articles/77/1/For-People-Who-Hate-External-Conflict/Page1.html</link>
			<description><![CDATA[If it were up to me personally, I'd say external conflict isn't at ALL important, because what I enjoy are the characters' emotions. Their thoughts, their feelings, their inner turmoil. Who CARES about what they do in the physical world?<br/><br/>But it's not up to me, and millions of readers DO care what they do. And if our characters are gonna be truly plausible people, they're absolutely gonna be doing things in real life. External conflict isn't about what they think and feel, so much as it is about what they do.]]></description>
			<author>no@spam.com (Laurie Schnebly Campell)</author>
			<pubDate><![CDATA[Wed, 18 Feb 2009 11:30:00 CST]]></pubDate>
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			<title><![CDATA[The Not-Yet Happy Ending]]></title>
			<link>https://www.autocrit.com/websitepublisher/articles/75/1/The-Not-Yet-Happy-Ending/Page1.html</link>
			<description><![CDATA[The book has to end happy.<br/><br/>The last chapter has to end happy.<br/><br/>The others? They don't.<br/><br/>In fact, they shouldn't. Because a chapter that ends with everything happy is a great reason to put down the book with a sigh of contentment, turn out the light and go to sleep.<br/><br/>So how should a chapter end? For that matter, how should every scene end?]]></description>
			<author>no@spam.com (Laurie Schnebly Campell)</author>
			<pubDate><![CDATA[Wed, 18 Feb 2009 11:30:00 CST]]></pubDate>
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			<title><![CDATA[Getting Good Tension]]></title>
			<link>https://www.autocrit.com/websitepublisher/articles/43/1/Getting-Good-Tension/Page1.html</link>
			<description><![CDATA[<span style="FONT-SIZE: 9.5pt; COLOR: #535353; FONT-FAMILY: 'Trebuchet MS'">Tension is a very crucial element of any novel, whatever the genre, because you can’t have a story so bland that nothing happens or worries the reader, or you’ll not be giving your readers any reason to turn the page. However, creating tension is a very complex task.<br/><br/>There are a few points you might like to bear in mind when trying to inject tension into your tale.<br/></span>]]></description>
			<author>no@spam.com (Anna Jacobs)</author>
			<pubDate><![CDATA[Sat, 14 Feb 2009 16:00:00 CST]]></pubDate>
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